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Summary of U.S. Copyright Office Report
on Distance Education

Prepared by the Copyright Management Center

Kenneth D. Crews, Samuel R. Rosen II Professor of Law
Indiana University-Purdue University Indianapolis
530 West New York Street
Indianapolis, IN 46202-3225
Voice: 317-274-4400
Fax: 317-278-3326
http://www.copyright.iupui.edu

June 3, 1999

A new report from the U.S. Copyright Office addresses many of the difficult issues surrounding the use of copyrighted works in distance education.1 The Copyright Office also proposes revisions to the law that would achieve a more meaningful and workable balance between the rights of copyright owners and users, while promoting the continued growth of distance education using digital technologies. Should Congress enact those proposals, educators would have new options for including some copyrighted works in transmissions to students at remote locations. In addition, educators would need to limit access to students enrolled in the course, implement systems for informing students and others about copyright, and strive to prevent misuse of copyrighted content by students through education programs and warning notices.

The Copyright Office report responds directly to the many serious problems with adapting existing law for distance education to modern technologies. Educational programs regularly involve the use of text, video, music, images, and other copyrighted works. If the instructor is not the copyright owner of the individual works, or does not have permission from the copyright owner, many common uses of these works could be unlawful. The copyright owner generally holds rights of reproduction, distribution, display, and performance of copyrighted works. Thus, simply showing or playing works for students may be an infringing "display or performance." Sharing copies of the works, whether in analog format or through digital delivery of the course, could constitute an infringing "reproduction or distribution."

In order to foster quality education and to prevent these common educational uses from becoming violations, the law long has allowed instructors to make displays and performances of works in the live, face-to-face classroom at nonprofit educational institutions. (Note that this broad right of use is limited strictly to face-to-face teaching and covers only performances and displays; it does not cover the ability to make copies of works.) Once the educational experience is "transmitted" to remote locations, however, existing law, enacted by Congress in 1976, sets rigorous ground rules and applies sharp limits on the types of works that may be used at all.

Existing law poses serious problems for the effective development of distance education. It generally restricts delivery of the course to students who are located in classrooms or other similar locations. Even then, the course content may not include audiovisual works and "dramatic" literary and musical works. Clearly, the law does not foster the growth of distance learning through digital technologies, where students may access works at diverse locations other than a "classroom," and where the transmission necessarily involves some incidental copies in order to make the display or performance of a work possible. Moreover, the disallowance of whole categories of works forces illogical barriers on the advancement of learning.

In October 1998, Congress charged the Copyright Office with the duty of examining the issues and making recommendations. While delivery of the report was delayed slightly, the result is an ambitious study that surveys problems with existing law, identifies the underlying policies for striking a balance between protecting the rights of copyright owners, and articulates promising solutions that would allow educators to use works under limited circumstances.

In the end, the report makes important and thoughtful recommendations for revising the statute. The following is a summary of those recommendations.

    1. Expand coverage of rights to meet technological necessities. In particular, digital transmissions involve the making of incidental copies to make the transmission—or display and performance—possible. The Copyright Office is not suggesting that educators should be allowed to make copies of works for students in distance learning: "Rather, the amendment should include these rights only to the extent technologically required in order to transmit the performance or display authorized by the exemption." Specifically, the Copyright Office is contemplating the "transient copies" that are "part of the automatic technical process" of the transmission.

    2. Allow displays and performances in the context of "mediated instruction." The Copyright Office identified concerns with the prospect of "electronic reserves" or other arrangements whereby entire works are made available to students, thus potentially substituting for sales of those works. To facilitate uses of works for educational purposes, however, the report recommends that works be used in a context where the instructor is illustrating a point or where the use is an integral part of a course structure.

    3. Expand the scope of allowed materials. The recommendations would eliminate the current proscription of "dramatic" works and audiovisual works. On the other hand, the proposal would allow only "limited portions" of those works in a manner consistent with the "nature of the market for that type of work and the pedagogical purposes of the use." For example, an instructor could use "the equivalent of a film clip, rather than a substantial part of the film." This approach appears consistent with the recommendation that the materials be used in the context of "mediated instruction," during which only portions may typically be needed for discussion and analysis. Whole works may, of course, be available to students in the library, at reserve desks, or in the bookstore. They may also be placed on a web-delivery system with permission from the copyright owner.

    4. Eliminate the requirement of transmitting the educational experience solely to classrooms and similar places. The Copyright Office is recommending that Congress allow educators to transmit the content of distance-education courses to enrolled students, regardless of their physical location.

    5. Implement safeguards to reduce risks to the copyright owners. First, the transient copies that result from the digital transmission may be retained only as needed to complete the transmission. Second, the institution must develop policies that describe copyright law and must provide those policies to students, faculty, and others. Third, the transmission to students must include a notice that the content of the transmission may be subject to copyright protection. Fourth, the institution should implement technological protections that reasonably prevent unauthorized access and further dissemination of the material.

    6. Allow retention of a copy of the distance-education program on a server for access limited to students in the course during the duration of the course. Students would therefore be able to review earlier materials and vary their pace of learning. That copy would be retained by the institution, and no further copies would be allowed.

    7. Continue to apply fair use to activities outside the exemption for distance education. Examples of possible fair use include: converting a work from analog to digital format for transmission, and using no more than a "limited portion" of a work. The report also emphasizes that "guidelines" interpreting fair use are not the law and may at best provide a "safe harbor" from potential liability. Although the Copyright Office appears critical of the effort to develop guidelines in the recently concluded "Conference on Fair Use," the Copyright Office remains hopeful that future understandings of fair use may emerge from discussions among diverse stakeholders.

What do these developments mean for Indiana University and other educational institutions? In the short run, the issuance of the report draws attention to serious deficiencies in current law. Before rushing to implement changes, however, educators should recognize that the report from the Copyright Office includes only recommendations. Proposals cannot become law until Congress enacts them in legislation. Educators may review the proposals from the U.S. Copyright Office and contact members of Congress with their statements of support or concern. The Copyright Management Center has worked with the IU Office of Federal Relations to express views on behalf of Indiana University.

Should these recommendations become law, educational institutions will need to take important steps to expand educational opportunities and to protect the interests of copyright owners. Some of those steps could include:

    1. Inform faculty members of limits on the use of works in distance education. Given the importance of academic freedom in planning courses, the university is not likely to review individual course content. Instead, the university may prefer to inform educators about the copyright implications of their work and offer standards for appropriate course planning. The university may accomplish that goal through the distribution of literature or by sponsoring seminars or workshops for instructors.

    2. Develop a policy that describes and explains relevant copyright law, and assure that the policy is disseminated widely to all faculty and students.

    3. Include a warning statement about copyright on the "front page" of all distance-education transmissions.

    4. Retain all distance-education courses on university-owned servers or other delivery equipment.

    5. Assure that only enrolled students are able to access the transmission.

    6. Preserve technological devices or systems that copyright owners may use to limit misuse of their works, when those works are used in distance education.

    7. Prepare to address the applicability of "fair use" to activities, such as electronic reserves, that are not specifically addressed by the exemption for distance education. For the current IU policy on fair use, please visit http://www.indiana.edu/~ufc/circulars/97-98/U16-98.htm. For information about how fair use applies to educational activities, visit the Copyright Management Center website at http://www.copyright.iupui.edu.

The Copyright Management Center will continue to monitor developments in copyright laws related to distance education and other areas of importance to education.


1 The Report on Copyright and Digital Distance Education is available from the U.S. Copyright Office. The report runs 348 pages with the various attachments, and it is a PDF file. You will need an Adobe Acrobat reader to open it. If you do not already have Acrobat Reader, the free program may be downloaded at http://www.adobe.com/prodindex/acrobat/readstep.html. Return to text.

 

 

The Copyright Management Center is not part of University Counsel and is not legal counsel to the university or to any members of the university community. A mission of the CMC is to provide information and education services to help members of the community better address their needs. The information received from the CMC is not legal advice. Individuals and organizations should consult their own attorneys.

     

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